Friday, May 28, 2010

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iudicium -" Vinland Saga "


The Middle Ages, now you'll see, has a certain influence over me. And after a small concession to Renaissance (I'm talking about the short introduction to "Caesar" ), it is time to return to the sweet one thousand years. And 'round this time, in fact, there are the stories of " Vinland Saga", manga of Makoto Yukimura , from the evocative name inevitably pretentious: the mind goes immediately to the great Norse sagas, the Norse epic cycles, the Scandinavian mythology. Pretentious, but not unjustified . The historical references are many and very precise - oh God, we are not at the levels of "Caesar", but in a high standard - as well as reconstruction of villages, weapons, armor, imbarcarzioni ...
Nevertheless, " Vinland Saga" can hardly be considered tout-court a comic historical more effectively we can define a manga Action historical setting. The story part, as usual, in medias res , with the assault of a group of Vikings, led by the cruel irony but Askeladd , a village works: the group of assailants stands Thorfinn , a young dark, silent and has an 'isolated ability to combat . Thorfinn is revealed early on as the true protagonist the series, thanks to the long flashback on his childhood and sull'enigmatica figure of his late father, Thors. The most obvious historical reference is that which gives the title to the work, ie the Vinland, Canada's legendary region occupied by the Vikings in the eleventh century, is also the character of Leif Eiriksson , the discoverer, according to Norse sagas, the new world: there is still not known what role these will elemeti in remainder of the series (even in Italy the second number), but surely the few references that emerged so far bode to be central.
Beyond the historical value, the author demonstrates good graphics and narrative skills, ability to build a good character and a remarkable ability for the action scenes, the more explicit reference is to " Berserk , "to the preponderance of fighting (in defiance of realism, in most cases) and for the important role of the past within the narrative: the flashback can not remember what in the work of Miura tells the youth Guts and joining the team of hawks.
Two numbers are few to say more, I just see that there are prerequisites for a good adventure, the face of the literature of escape, still want the accuracy and philological so insulted "complexity".

Makoto Yukimura, Vinland Saga, Star Comics (number 1: February 2010, currently the number 2 output)

Short sitography

  • Wikipedia page about the legendary Vinland and on the ' Anse aux Meadows.
  • Latin text of Gesta Pontificum Ecclesiae Hammabirgensis of Adam of Bremen, a work that last part, the descriptio mentions the Vinland.

Sunday, May 23, 2010

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iudicium -" Fringe "


"Fringe" is certainly guilty. Guilty of making me fall into the abyss of the television series. The genre "series, to be honest, is nothing new for me: comics, film and literary legends, etc. ... But television series n0n I never infatuated. Now it's ruined. Not only do I follow a regular number, but thanks to the miracles of the Internet can fill huge holes in my popular culture.
short, so long lost.
Fringe, the new hen that lays golden eggs by JJ Abrams, is a series of science fiction or, rather, pseudo-science: parallel worlds, telepathy, psychic powers are the challenges facing the division Fringe (FBI in Italian it sounds something like "fringe"), composed by the agent Olivia Dunham, scientist Walter Bishop, and by his son Peter. Unlike X-files, which undoubtedly represents an important previous series, nothing is cloaked in mystery: everything is explained rationally, all part of a consistent (but not too much, but always is fiction!) scientific system. Interesting textures, which often follow the classic style CSI ntreccio police and the individual episodes, however, are placed in a fascinating and complex continuity (and here comes out the trademark Abrams). The setting, then, is beautiful: the latest technology and research compiuterizzata nothing but an old laboratory 70.
short, the end of Lost will leave plenty of free time, you know where to take shelter.

Saturday, May 22, 2010

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Alius Carmen -" For the faux-res, pour quoi Trai aves "


of Dante talk about it much, but never too much. A couple of years ago, on my old blog , I got to see that Dante had been transformed from a nightmare to auctoritas favorite high school after just a few well-placed university courses. Now that the Middle Ages we gaily through water, I can only worship the madness Dante. What has always struck me is the use dell'Alighieri really casual, expressive, competent and diverse language. Try
would this composition, I say "would" because, despite the critics are now agreed in attributing to Dante, has long been regarded as spurious. The main characteristic of poetry is to be written in three languages: Old French, Latin and Italian, the effect is highly alienating, despite the theme, not the most original, the result is very interesting. To make you realize the linguistic structure of the poem, I used the bold for the verses in Italian, italics for those in France and the round for those in Latin.


the faux-res, pour quoi Trai aves
oculos meos? Et quid tibi feces,
who hast done so ruthless deception?
Iam audivissent verba mea Greeks.
E selonch vous autres dames saves
that 'deceiver is not worthy of praise.
Well you know how my heart rejoices

miserum eius prestolatur here:
je sper anc them, and do not care pas de moi.
For Dieus, how many malura
atque luck ruinosa datur
to him that, in waiting, the time lost, or already
never touches the green foil.

Conqueror, cor suave, de te first
that for a crazy-eyed look
not dovris vous avoir perdu la loi;
but 'I like them darts and stalks
always against insurgant me de silt,
dount Sero je mort, pour que je foi CROI. Fort
me desplait pour moi,

ch'i 'son guilty punished and no premium;
DICIT nec ipsa "malum est de isto"
unde querelam systolic.
She knows well that if 'my heart is the scrulla
a penser d'autre, que d'amour lesset ,
the faux cuers grant paine
an porteret.
Ben has this woman's heart ice
aspresse and much of this, but foi, est fors,
nisi pietatem habuerit servant.
Bien September Amours, if not to je Socors,
do that for her painful death
Neque plus vitam, hoping, I keep. Fri
omni meo nervo,
s'elle non fet que pour soun sen verai
io vegna a riveder sua faccia allegra.
Ahi Dio, quant'è integra.
Mes je m'en dout, si gran dolor en ai:
amorem versus me non tantum curat
quantum spes in me de ipsa durat.
Cianson, povés aler pour tout le monde,
namque locutus sum in lingua trina,
ut gravis mea spina
si saccia per lo mondo. Ogn'uomo senta:
forse pietà n'avrà chi mi tormenta.

(Dante, tutte le opere, Newton Compton editori, Roma 2007, pp. 769-770)


Short
sitography


Monday, May 17, 2010

Can I Skip My Simvastatin?

Carmen -" Camera egobarica for the Protection of ego and superego "


... Tabula rasa they said. Cancel everything and start over. But apart from the fact that, in spite of the virtuality of internet, my old writings are far removed, perhaps re-read every now and does well. To laugh a little 'on him and realize how stupid it was.

The year was 2005 and myself were already being maudits . It was the time when I was reading (badly) a bit 'of everything and I felt permeated by the sacred fire of art. Why then dwell on these "I was young and deluded," "I thought I could change the world," it was better when it was worse, "there are between seasons, etc. . ..? Five years have passed, I was a fool diciassettene, are now stupid twenty-two. Little gained.

I should get me a diagram of what I write, I lose the thread as anything (that birbaccione who are trying to hide my informal realistic mimesis of speech behind a post, complete with a wink to the reader in brackets expert). I said, five years ago I wrote this posia, "inspired" by the installation Art Doppioniro (I tried your site on the Internet but it seems no longer exist) of the same name. On my old blog liked it, so changed to be recited in a piece for Varanasi, the group that was playing then. The following year I published on another blog and a site of writing. It is not so bad, I was a seventeen year old badass and really fascinating.
Read and believe:


egobarica room for the Protection of ego and superego

cautious, the white figure is reflected on that wall. Incessant, dull purple omega nodes and soul, like little bits of ambrosia leaking from the ceiling fall memories. Removal, dream and symbiosis are the rules of the game: that of a man worn dust neutral dall'abnorme instinct oblivion shattered dall'idioma incomprehensible its totem-spirit, a Levite waiting for the contact and the fusion of the meat with the lime in the world . And, after sublimation sublimation, a deformed circle of rules to challenge the essence of dreams, a categorical imperative as the only source of life, erasing the idea of \u200b\u200ba generic human, too human to be accepted. Short, miserable and damp laconic solutions in this room, take the two seemingly equal alternatives and join them with an "e" ...
is not easy to play the instrument of the mind.


Ah well, yes, technically it is not just a poem. Guilt Ribaud and Baudelaire.

Saturday, May 15, 2010

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Alius Carmen -" Occitan "


Leaving aside the (now annoying?) Rhetoric pro-Occitan, putting aside the grotesque fact that the text was the site of the "movement Young Po ", which continues to have problems of identity, declaring-Celtic-Germanic-Communard Occitan (the hilarious site, which takes pride in its graphics, Alberto da Giussano and Mel Gibson in the role of William Wallace, all topped off with a uncial really out of place), going beyond the 'affaire Ferretti, of which I have already written in another time and another place, it remains a very good poem.


Occitan (Giovanni Lindo Ferretti)

my Beyond the ridge, from which you can see the sea,
autumn and in spring the sun rises the smell of
gardens, the sound of short
a taste of balance, measuring
"mezura" that does not last.

dispirited in the evening between the echoes of pain
and songs of prayer is
L'Occitane, which is still desperate.
Occitan: women, knights, troubadours
the Cathars, the courts of love.

my Beyond the ridge, from which you can see the sea,
autumn and in spring the sun rises
the smell of the gardens, the sound of short
taste balance, measuring
"mezura" that does not last.

Soldiers who ask:
-any Cathar how to distinguish a good Christian? -
Simon de Montfort,
commander of the King included the Pope for the first crusade,
answers: -Kill them all: God recognizes his-
said. Done. Killed them all.
Occitans occis tous.

my Beyond the ridge, from which you can see the sea,
autumn and in spring the sun rises
the smell of the gardens, the sound of short
a taste of balance, measuring
"mezura" that does not last.

The night swallows the evening,
touching the pink, almost lavender
the lily with the cross of Lorraine in Rome
massacres here and commands:
s'osi not live, if no repentance in obedience
indulgence.
Woe to the women they serve
give birth in pain, woe to those who defend
and woe, woe to anyone who surrenders.
Monsegur year 1244.

Occitans occis tous,
Burn the Occitan: older women living dead children
wounded, sick and healthy.

Burn the Occitan!
and still not be much:
it muddy memory,
wrong matter.
The mud is earth,
buds and blooms history

my Beyond the ridge, from which you can see the sea,
autumn and in spring the sun rises
the smell of the gardens, the sound of short
a taste of balance, measuring
"mezura" that does not last.

night swallows the evening
touched the rose, sour honey
women of Israel in their heart dispirited
know that it's bad, bad goes to worse
know already that diaspora
becomes Shoah.

that the crematory ovens are the progress of the fires.
The crematoria are the progress of the fires.

But my side of the ridge, from which you can see the sea,
autumn and in spring the sun rises
the smell of the gardens, the sound of the courts
a taste of balance, measuring
"mezura" that does not last.

dispirited in the evening between the echoes of pain
and songs of prayer is
L'Occitane, which is still desperate.
E 'L'Occitane, which is still desperate.


Brief annotated collection of websites:


Annoying addendum: the Italian translation of the song to Cesario that I have reported is quite a slut, being made English. I apologize.

Friday, May 14, 2010

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iudicium -" Caesar, Creator that destroyed "Exordium


The validity of such comic art, so much has been discussed. is widely believed now that it is not half of pure intrattenim ent, but that can compete at both the pictorial side as on the literary and art properly so called.
The case of " Caesar, Creator that destroyed " however, is different. This is not only to prove that the story is deep and complex as a novel, the characters are well characterized and psychologically realistic as it is in great literature, which some found in the drawing boards and skim the outcome of painting traditional and rival the best examples of film director .
"Caesar," now we can say, is a comic book historian, and as such requires a broader reflection on the relationship between fiction and reality: as a work of fiction can be an instrument of knowledge of history? To what extent does delve into history in first person helps understanding of that?
Certainly Fuyumi Soryo , the author has been unable so far extricate himself with precision and verisimilitude in this area.
Yeah, because the author is Japanese, so "Cesare" is a manga . Which complicates the matter even more: what is the perception of Western history, in the eyes of an Oriental? Promotes the freedom to act indiscriminately on historical facts, or induce to act for the detachment from the subject, with philological attention to the sources?
things first.
The series, currently at number 7 arrived in Italy, tells the life and exploits of Cesare Borgia , complex and enigmatic character of Italian Renaissance, seen through the eyes of the ingenuous Angelo Canossa, his fellow student at the University of Pisa. For now it is difficult to imagine where the series will end up with (the author said he wants to create a series of wide-ranging in the order of magnitude of some tens of volumes): The ideas are many, from the gradual layering the character of Caesar, to change the relations of friendship, affection, hatred of protagonists, to the intrigues and conspiracies that pervades political circles Renaissance.
What is certain, and here we return to the vexed quaestio , is that the Soryo non sottovaluta le difficoltà di confrontarsi con la "storia" con la S maiuscola (quella che gli inglesi chiamano history in contrapposizione con la story ); da qui, la scelta di avvalersi di Motoaki Hara , docente presso la Kurashiki Sakuyo University , conoscitore della storia e della cultura dell'Italia medievale e rinascimentale , che cura l'aspetto filologico dell'opera, compito finora svolto egregiamente . Da parte sua, la Soryo è un'esperta conoscitrice art of the beautiful country, has studied the figures and is able to reproduce (or reconstruct ) style.
In short, the final product is excellent, can be included without hesitation in the genre of historical fiction, and perhaps it can also stand out within it, mainly for one reason: the intention informative. In fact, the entire work is studded with notes in the margins on all those facts and aspects that the reader Eastern Europe (but also Western Europe) may have difficulty in understanding, so the comic becomes a test of popular social and political history of the Renaissance , a handbook of Italian art of the '400, a ' introduction to the culture of the period. All this, together with boards, glossaries and, unbelievable, a brief but very valuable bibliography (intended, of course, the Japanese public, although many titles are Italian). The focus narrative, centered on the character of the young Angelo, promotes teaching reading: Angelo, naive and humble guy, out of the intrigues of the time and the aristocratic society , as he discovers, along with the player, the environment in which he lives, its mysteries and its beauty.
So, to answer the original question, yes, comics can be a tool for know the history, so perhaps more subjective and emotional than the traditional methods , but for this more effectively. Then when the product is philologically careful, well-written, well designed and very valuable edition (good Star Comics !), As is the case for "Caesar", one can not help but applaud genius Japanese.

Fuyumi Soryo , Motoaki Hara (ed.), Caesar, Creator that destroyed , Star Comics (number one in October 2007, currently out number 7 )

Wednesday, May 12, 2010

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For days, months, years, often do not write.
Sometimes, perhaps, one looks shyly on a spreadsheet, you scribbles something, then deletes itself.
One morning a false spring, however, in their pajamas, after three coffees, it can happen that you take courage and invent a new blog (for these things, soups heating does not work. We must start again, close and reopen , tabula rasa ).

The uncertainty is such that I use all impersonal verbs. Come on, a little 'balls.

Should I take a shower, make money the day, but its role is largely inept far more interesting.

Yes, I admit, I missed writing a few words and then delete them immediately to find more appropriate. And read everything every thirty seconds. And realize that no row. And start over.
I just hope I do not find myself once again to close all angry, and delete all traces of me and blog.

I take a shower, fuck.

Not to mention the pleasure of using swear words. With ease. Maybe this time I do not cancel everything. Here, this new platform for blog automatically saves everything, every time. Maybe the anger will not have won.
I feel pretty stupid writing this post . But one has to start somewhere.

Cawarfidae