Saturday, July 31, 2010

10 Mm Phosphate Buffer From 50 Mm

Meditatio aestatis - I

Summer full, deep, black, apical. Heat, heat wave, hot. Light, heavy rain, hail. Everything goes by the book, a manual strange and Babylon in the hands of an unidentified deity. The skin sometimes clings to the skin, human, animal, tanned, sexual. You choose the combination. When I return in the series-back sofa. Return to case studies in other, more socially relevant: couples broke out, three-year graduates, people deserted the cities, young people who do not believe in politics, would-be emigrants in foreign countries but not so much best of Italy so that they appear, writers who do not lose time not defined as such and who continue to mistreat the Camene that does not allow them. More important, less interesting. My skin adhering to the one of the sofa, with sweat, not to wear, when he tries to come off s'arrossa and irritated. My skin gets irritated often. It is often resented, indeed. Now when I take a lot of sun. And the summer has become a bit 'to soak up the sun, so that will have it with me.
Day at the pool, which I study the parable of the sun, hoping to speed it up with my peer, as you browse through "Dante Studies" Auerbach (after ten pages I stop and I start to read Tex), a couple of bombshells hysterical nearby, black already (and why the fuck come in the pool, even if the tap water, what else you are not ugly whores?), some old hen, overzealous tourists, the beautiful and damned lovers EPA tortoise is hard for me comes to mind a more sad, and I refer especially to myself, mind you. Well. The summer is this.
This is clearly not the year of the pilgrimage and exploration, not for me. The vein cloistered took, in spite of myself, over, this year. As he took over the asindeto, I see in these lines. The tragic
stilnovisti to ride and his Averroism, sometimes I steal this perpetual happy hour. Publius Naso ripping me a knowing smile. Social networks (not networks, in Italian does not put the "s" at the end of English words plural) should bother me, I do not know. Not suited to the kind of snooty intellectual elite that ancient conservative suits me so well. But they are almost funny to me at the end Heraclitus would keep his work in the recesses of a temple, so we say "oh, Heraclitus, that aristocratic spirit and superfine, he hid his work to the crowd, because they are too high," when in the end the fragments we've got them all the same. I like this. So I am doing so well, useless public to give me a tone.
I am missing something, I miss more than anything, this summer, but "[...] hide the emptiness that advances" in some way.
I see that even the last semblance of para-literary abandon me, better to go again.

Sunday, July 4, 2010

Crp Form 2010 Minnesota

Iudicium - "Di questa vita menzognera"


I know. It is not worth continuing to recycle old things. But, as you have seen, there is really nothing new to write about ...

I never talked to one of my favorite novels. It was written, rather in contrast with to my tastes, in this decade. "In this false life" (Feltrinelli 2003) is a great book for many reasons: firstly for the huge culture of Joseph Montasio, literary, philosophical, popular, politics ... Montesano hyper-intellectual pigeonhole these pieces in a giant mosaic of quotations and references, with skill and precision, in addition to the cast of characters, some characterized symbolically, psychologically others, still others in a much more ambiguous and interesting (the dandy Cardano, forever poised between being and appearance, lying and swearing), but all memorable in their grotesque humanity, then the topicality, magnified and exaggerated, but never distorted, with a large dose of fantasy far from free, and finally the style, dry, taut, biting, lived (the masterful use of indirect discourse): Montesano touches the keyboard a bit 'all the records from the tragic insane to the poetic, with many influences (including dialect).

The company says Montesano, take dangerous roads: the population is a flock that is responsive to the first pass, the ruling class, embodied in the family of the Necromancer, far from being enlightened, it is vulgar, arrogant and criminal; opponents individualists, feeble flames that glow in the dark general ( dandy Cardano, the Gospel Andrea, Bianca, Nadia, the mysterious Scardanelli) failed chronic, almost by statute.
there hope for the world today? E 'can still save themselves from deceit and corruption prevailing, as called Scardanelli, "because a rose is a rose, bread is bread, beauty is beauty"? Perhaps the answer lies in the poetry of Blok Montesano which takes the title of his novel:

"But this life of lying
remove the greasy lipstick
and as timid mole, underground hide
the light turned to stone,
whole life hating
with ferocity and contempt in taking this world,
and also not seeing the future,
say no to this day. "