I know. It is not worth continuing to recycle old things. But, as you have seen, there is really nothing new to write about ...
I never talked to one of my favorite novels. It was written, rather in contrast with to my tastes, in this decade. "In this false life" (Feltrinelli 2003) is a great book for many reasons: firstly for the huge culture of Joseph Montasio, literary, philosophical, popular, politics ... Montesano hyper-intellectual pigeonhole these pieces in a giant mosaic of quotations and references, with skill and precision, in addition to the cast of characters, some characterized symbolically, psychologically others, still others in a much more ambiguous and interesting (the dandy Cardano, forever poised between being and appearance, lying and swearing), but all memorable in their grotesque humanity, then the topicality, magnified and exaggerated, but never distorted, with a large dose of fantasy far from free, and finally the style, dry, taut, biting, lived (the masterful use of indirect discourse): Montesano touches the keyboard a bit 'all the records from the tragic insane to the poetic, with many influences (including dialect).
The company says Montesano, take dangerous roads: the population is a flock that is responsive to the first pass, the ruling class, embodied in the family of the Necromancer, far from being enlightened, it is vulgar, arrogant and criminal; opponents individualists, feeble flames that glow in the dark general ( dandy Cardano, the Gospel Andrea, Bianca, Nadia, the mysterious Scardanelli) failed chronic, almost by statute.
there hope for the world today? E 'can still save themselves from deceit and corruption prevailing, as called Scardanelli, "because a rose is a rose, bread is bread, beauty is beauty"? Perhaps the answer lies in the poetry of Blok Montesano which takes the title of his novel:
I never talked to one of my favorite novels. It was written, rather in contrast with to my tastes, in this decade. "In this false life" (Feltrinelli 2003) is a great book for many reasons: firstly for the huge culture of Joseph Montasio, literary, philosophical, popular, politics ... Montesano hyper-intellectual pigeonhole these pieces in a giant mosaic of quotations and references, with skill and precision, in addition to the cast of characters, some characterized symbolically, psychologically others, still others in a much more ambiguous and interesting (the dandy Cardano, forever poised between being and appearance, lying and swearing), but all memorable in their grotesque humanity, then the topicality, magnified and exaggerated, but never distorted, with a large dose of fantasy far from free, and finally the style, dry, taut, biting, lived (the masterful use of indirect discourse): Montesano touches the keyboard a bit 'all the records from the tragic insane to the poetic, with many influences (including dialect).
The company says Montesano, take dangerous roads: the population is a flock that is responsive to the first pass, the ruling class, embodied in the family of the Necromancer, far from being enlightened, it is vulgar, arrogant and criminal; opponents individualists, feeble flames that glow in the dark general ( dandy Cardano, the Gospel Andrea, Bianca, Nadia, the mysterious Scardanelli) failed chronic, almost by statute.
there hope for the world today? E 'can still save themselves from deceit and corruption prevailing, as called Scardanelli, "because a rose is a rose, bread is bread, beauty is beauty"? Perhaps the answer lies in the poetry of Blok Montesano which takes the title of his novel:
"But this life of lying
remove the greasy lipstick
and as timid mole, underground hide
the light turned to stone,
whole life hating
with ferocity and contempt in taking this world,
and also not seeing the future,
say no to this day. "
remove the greasy lipstick
and as timid mole, underground hide
the light turned to stone,
whole life hating
with ferocity and contempt in taking this world,
and also not seeing the future,
say no to this day. "
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