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iudicium -" Fringe "

"Fringe" is certainly guilty. Guilty of making me fall into the abyss of the television series. The genre "series, to be honest, is nothing new for me: comics, film and literary legends, etc. ... But television series n0n I never infatuated. Now it's ruined. Not only do I follow a regular number, but thanks to the miracles of the Internet can fill huge holes in my popular culture.
short, so long lost.
Fringe, the new hen that lays golden eggs by JJ Abrams, is a series of science fiction or, rather, pseudo-science: parallel worlds, telepathy, psychic powers are the challenges facing the division Fringe (FBI in Italian it sounds something like "fringe"), composed by the agent Olivia Dunham, scientist Walter Bishop, and by his son Peter. Unlike X-files, which undoubtedly represents an important previous series, nothing is cloaked in mystery: everything is explained rationally, all part of a consistent (but not too much, but always is fiction!) scientific system. Interesting textures, which often follow the classic style CSI ntreccio police and the individual episodes, however, are placed in a fascinating and complex continuity (and here comes out the trademark Abrams). The setting, then, is beautiful: the latest technology and research compiuterizzata nothing but an old laboratory 70.
short, the end of Lost will leave plenty of free time, you know where to take shelter.

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Alius Carmen -" For the faux-res, pour quoi Trai aves "

of Dante talk about it much, but never too much. A couple of years ago, on my old blog , I got to see that Dante had been transformed from a nightmare to auctoritas favorite high school after just a few well-placed university courses. Now that the Middle Ages we gaily through water, I can only worship the madness Dante. What has always struck me is the use dell'Alighieri really casual, expressive, competent and diverse language. Try
would this composition, I say "would" because, despite the critics are now agreed in attributing to Dante, has long been regarded as spurious. The main characteristic of poetry is to be written in three languages: Old French, Latin and Italian, the effect is highly alienating, despite the theme, not the most original, the result is very interesting. To make you realize the linguistic structure of the poem, I used the bold for the verses in Italian, italics for those in France and the round for those in Latin.

the faux-res, pour quoi Trai aves
oculos meos? Et quid tibi feces,
who hast done so ruthless deception?
Iam audivissent verba mea Greeks.
E selonch vous autres dames saves
that 'deceiver is not worthy of praise.
Well you know how my heart rejoices
miserum eius prestolatur here:
je sper anc them, and do not care pas de moi.
For Dieus, how many malura
atque luck ruinosa datur
to him that, in waiting, the time lost, or already
never touches the green foil.
Conqueror, cor suave, de te first
that for a crazy-eyed look
not dovris vous avoir perdu la loi;
but 'I like them darts and stalks
always against insurgant me de silt,
dount Sero je mort, pour que je foi CROI. Fort
me desplait pour moi,
ch'i 'son guilty punished and no premium;
DICIT nec ipsa "malum est de isto"
unde querelam systolic.
She knows well that if 'my heart is the scrulla
a penser d'autre, que d'amour lesset ,
the faux cuers grant paine
an porteret.
Ben has this woman's heart ice
aspresse and much of this, but foi, est fors,
nisi pietatem habuerit servant.
Bien September Amours, if not to je Socors,
do that for her painful death
Neque plus vitam, hoping, I keep. Fri
omni meo nervo,
s'elle non fet que pour soun sen verai
io vegna a riveder sua faccia allegra.
Ahi Dio, quant'è integra.
Mes je m'en dout, si gran dolor en ai:
amorem versus me non tantum curat
quantum spes in me de ipsa durat.
Cianson, povés aler pour tout le monde,
namque locutus sum in lingua trina,
ut gravis mea spina
si saccia per lo mondo. Ogn'uomo senta:
forse pietà n'avrà chi mi tormenta.

(Dante, tutte le opere, Newton Compton editori, Roma 2007, pp. 769-770)


Short
sitography

• Article in artblog , with an Italian translation of the poem.
• Wise Massimiliano Chiamenti on this poem.
• Site www.danteonline.it , with all the works to be read and used freely, not to mention the delicious manuscripts to see and lots of information sull'Alighieri.
• For masochists like me, a beautiful and updated bibliography on Dante divided by works, themes, periods ...
  

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Carmen -" Camera egobarica for the Protection of ego and superego "

... Tabula rasa they said. Cancel everything and start over. But apart from the fact that, in spite of the virtuality of internet, my old writings are far removed, perhaps re-read every now and does well. To laugh a little 'on him and realize how stupid it was.

The year was 2005 and myself were already being maudits . It was the time when I was reading (badly) a bit 'of everything and I felt permeated by the sacred fire of art. Why then dwell on these "I was young and deluded," "I thought I could change the world," it was better when it was worse, "there are between seasons, etc. . ..? Five years have passed, I was a fool diciassettene, are now stupid twenty-two. Little gained.

I should get me a diagram of what I write, I lose the thread as anything (that birbaccione who are trying to hide my informal realistic mimesis of speech behind a post, complete with a wink to the reader in brackets expert). I said, five years ago I wrote this posia, "inspired" by the installation Art Doppioniro (I tried your site on the Internet but it seems no longer exist) of the same name. On my old blog liked it, so changed to be recited in a piece for Varanasi, the group that was playing then. The following year I published on another blog and a site of writing. It is not so bad, I was a seventeen year old badass and really fascinating.
Read and believe:


egobarica room for the Protection of ego and superego

cautious, the white figure is reflected on that wall. Incessant, dull purple omega nodes and soul, like little bits of ambrosia leaking from the ceiling fall memories. Removal, dream and symbiosis are the rules of the game: that of a man worn dust neutral dall'abnorme instinct oblivion shattered dall'idioma incomprehensible its totem-spirit, a Levite waiting for the contact and the fusion of the meat with the lime in the world . And, after sublimation sublimation, a deformed circle of rules to challenge the essence of dreams, a categorical imperative as the only source of life, erasing the idea of \u200b\u200ba generic human, too human to be accepted. Short, miserable and damp laconic solutions in this room, take the two seemingly equal alternatives and join them with an "e" ...
is not easy to play the instrument of the mind.


Ah well, yes, technically it is not just a poem. Guilt Ribaud and Baudelaire.